October, 2026


The National Stage!


In April, I was invited to participate in the National Cowboy & Western Heritage Museum's 2026 Small Works, Great Wonders Show & Sale. This has been a goal since I began painting in earnest in 2012. I am thrilled and honored to hang in their hallowed halls among the best artists in the nation, some of whom are my friends and mentors. The event is November 13, in Oklahoma City, OK. For more information, visit https://swgw.nationalcowboymuseum.org/. 


I've been able to paint a lot this year! See my "NEWS" page to read all about the shows, workshops, judging, and demos that have kept me busy. I have also been seen in the Western Art Collector magazine's June and August issue and the upcoming November issue as well (see below). 

This month, I migrated my website to a new host. This gave me the opportunity to redesign my "brand", shifting to a more western feel. My oils and pastels have leaned in this direction in recent years, and I feel a kinship to the genre since I live in Oklahoma. I have a new look to my business cards, too. I tipped it in the photo (below)  to show the letter-press printing and red edges. 

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The last two years were spent enduring the Covid 19 pandemic and other hardships. Lockdowns, closures, cancellations, shortages, health issues, and so on. But 2022 has brought back a sense of normalcy, which is welcome as the spring rains. I have many adventures planned for the year, two of which are in Europe. The art world really never stopped, but I could not get my creative spirit going with all the anxiety, sadness, loss and strife everywhere. Now that the pandemic has become endemic, I feel free and light as a feather.

I took a road trip to New Mexico to visit friends in Santa Fe and Taos for a week, then spent another week in Ghost Ranch painting in oils with Natasha Isenhour. That place is very spiritual and inspirational. I learned a lot and made new artist friends that live from Maine to California. I will never tire of the landscape of New Mexico.

I taught a three-day workshop in March entitled "Drawing from Memory", a skill that is learned from keen, mindful observation and much practice. The first day was grueling, but my students produced amazing drawings––from memory––not imagination. Seeing their delight was gratifying as their teacher.

Later in April, fly to Atlanta to attend the Portrait Society of America's Annual Conference. I went to one a few years ago, and loved every minute of it. I really enjoy meeting the nation's brightest and best portrait artists, and viewing their works in person.

June brings the Prix de West in Oklahoma City, where I will see artist friends again, and get a sprinkling of pixie dust from the finest representational artists in the United States. Then, I return to New Mexico for the IAPS Convention in Albuquerque. 

I can hardly wait for the two-week egg-tempera workshop with Michael Bergt in Rome in July! I'm going with a friend who lives in Florence, Italy. We haven't seen each other since the pandemic began, so I can hardly wait to see her again.

Then the big one! France for a month with a state-side friend. I have friends in France to see, and many paintings to paint. We are visiting Auvillar, a tiny village on the Garonne River north of the Pyrenees. I went there with a group of artists for two weeks in 1997, then with my daughter for a month in 1998. I had a return trip trip scheduled for spring of 2020, but Covid hit and it was cancelled. So it's on again, in the fall this time!

I've been painting, teaching and traveling again. Life is good!
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A U T H O R

Patricia Ridge Bradley
​is a fine artist, working in Oklahoma and wherever she travels. Thanks for reading this blog.  I hope you enjoy!